The photographic collective, Document Scotland, with whom we are working in partnership with on their recent project to photograph aspects of Scottish culture as a lead up to the referendum, are hosting salon events to promote awareness of their work and the subjects they cover. Follow the link to see their schedule of events and stay tuned to find out when they are coming to St Andrews!
Dead rabbit…and family.
Today our Guest Conservator Pawel Pronobis discovered in our Photographic Collection a curious group portrait of Margaret Lindsay, Countess of Crawford and Balcarres and her children [?] circa 1855. Salted paper print from glass plate negative by the first commercial photographer in St Andrews, Thomas Rodger.
Looking at photographs in a whole new light! For the past three days I have been at an intensive master class discussing the preservation issues and guidelines for 20th Century photographic materials. As always, it seems the more modern the print the more vulnerable the image, which doesn’t bode well for most modern collections. We have been looking at current best practice for storage methods and handling guidelines, while also seeing examples of poorly treated photographs. As much as I personally find great beauty in the ‘art of deterioration’, it certainly isn’t something any of us want to find in our own collections. - RN
A beautiful double exposure photograph was discovered today by Ines Fonseca, one of the passionate volunteers working in our Manuscript Collections. Alongside it were many other fabulous images including this tiny bucolic Scottish scene as well as an early to mid-twentieth century photograph of St Andrews harbour.
Ines is conducting a painstaking inventory of all the photographs hidden amongst the papers, letters and archives of our Manuscript Collections and has to date identified 25,000 photographs, and is only ⅔ of the way through the collection. This will prove fertile ground for much research and dialogue!
Phil Bergerson, a Canadian photographer, lecturer, and author of recent book entitled ‘American Artifacts’(with introduction by Margaret Atwood and article by famed photographer and curator Nathan Lyons), visited the Photographic Collection in the Special Collections Division on Monday, and proceeded to give a knock-out presentation on Tuesday evening to students and faculty of Edinburgh Napier University’s photography programme to discuss his latest work.
Phil recounted his journey from student in the 1960s, to artist and professor, and underlined highlights of his career, including organising a pioneering photographic lecture series in Toronto in the 1970s with such photographic luminaries as W. Eugene Smith, Robert Frank and Andre Kertesz all taking part in the first year alone. His enthusiasm for photography is contagious and his depth of knowledge and experience inspiring!
Celebrated Scottish mountaineer and photographer Hamish Brown was visiting today with regards to a book we are collaborating on and broke out a “Summary” of all the climbs, expeditions,walks and treks he’s ever done. It was huge! He immediately broke into story and had us enthralled. Special Collections holds nearly 100,000 of Hamish’s photographs, and work is ongoing with his collection with selections of his early black and white material being available on our photographic website.
Every May in Toronto the whole city is transformed in support of photography. Browse their website and you’ll see this is an exemplary model for what the photographic community could be doing in Scotland. There’s no shortage of passion or dedication for photography in Scotland, it simply requires a coordinated outlet to harness the momentum and collective will to bring photography to the fore!